Hannah Scott

The best stories make us feel deeply and in the 15 years she has been writing and performing,Hannah Scott has become an exceptional storyteller.

Her music is shaped by human connections, with family, in all its chaos and glory, sitting at the heart of her work.

Her lyrics are powerful and poignant, and her voice feels strangely familiar, though you cant quite put your finger on why.

Her writing may be deeply personal but her music has a universal appeal that goes beyond the melodies you catch yourself humming in the days after listening to her songs.The connection she builds with her audiences is most evident in the stories shared by audience members after her performances: the woman whose elderly mother lost a sibling in childhood and is moved to tears by Boy In The Frame ; the young father who, upon hearing My Dad & I , realises he wants to spend more time with his small children; the adoptive parents who, like Hannah as a step-parent, may not have been the first person to hold their child, but Love You Like I Did .

A deep-rooted desire for this connection has always been the driving force behind her songwriting and live performances.Born in Suffolk and raised by an artist mother and an eccentric entertainer father, with music going back three generations to her songwriting great-grandmother, creativity was always destined to be an integral part of Hannahs life.

At the age of four, her father bought a second-hand piano for 70 from a friend in the pub and she didnt look back, falling in love with both playing and listening to classical music.

Picking up a guitar in her early teens as the influence of her peers and more contemporary music took hold, Hannah taught herself some simple chords that would lay the foundation for her earliest attempts at songwriting.Hannahs career highlights include having her song No Gravity featured on the hit international TV series Greys Anatomy, recording a live session on BBC Radio 2 with Dermot OLeary and opening for Madeleine Peyroux, performing to an audience of two thousand.

She has also shared the stage with folk luminaries such as Seth Lakeman, Cara Dillon andFairport Convention and has performed at festivals including Cambridge, Sidmouth and Manchester Folk.

Equally at home in small venues, she thrives on the intimacy of performing in spaces where she can look audience members in the eye, and, of course, speak with them after the show.Hannahs latest album Absence Of Doubt was released in October 2024 and won that years FATEA Album of the Year Award (following up her Female Artist of the Year Award from FATEA in 2023).

This was the first album she has self-produced alongside the acclaimed engineer/producerAdrian Hall(Tori Amos, Anna Calvi).

The songs are inspired by the greatest of human emotions love, parenthood, grief and an unwavering yearning for life, even during its darkest moments.

She is currently working on a new EP for release in 2026 and this will be her seventh headlining show at the Canopy Theatre.She reduces women and children to tears in a good way - The Guardian ( And grown men.

Tom Besford, CEO, English Folk Expo & Richard Haswell, Liverpool Philharmonic)This is beautiful.

Dermot OLeary, BBC Radio 2Wonderful songwriting.

Seth LakemanShe screams class but in the quietest way possible.

Folking.com [//Folking.com]Her broad, ambitious music has a finely honed personal touch.

Clash MagazineShe combines traditional, virtuosic musicality with a quality that yanks at our universal humanity.

The Arts DeskFor more information, music & video visit https://www.hannahscott.co.uk/Tickets can also be purchased via the Ticketsource telephone box office on 0333 666 3366 for the same booking fee.